Movement & Space, collaborative movement workshop with hospice patients

The third workshop (3/3) focused on movement in space in relation to the architectural space and furniture within it. The intention was to explore whether by moving through space with a different intention we experienced the room differently?

We each took turns to make three shapes within the room and repeated this three times. We took turns to re-enact each other's sequence of actions, through a process of remembering and improvising what wasn't remembered. We then returned to our own sequence and simultaneously 'performed' this together, negotiating the points where our paths crossed as they occurred. We experimented using a metronome to unify our movements. It was a really enjoyable and playful session with lots of laughter.

At the end we had a quick look at Trio A by Yvonne Rainer as this resonated closely with the simple range of repeated movements we had been working with during the session.

Trio A, Yvonne Rainer

There's a lot of potential to develop the range of movements we came up with, particularly at the points where our paths crossed, to consider structures for unifying the floor space as a compositional tool and with regards to tempo. 

We came across a choreographic toolkit D-Lab: a Virtual Commons for Choreography and Collaboration by Dance Exchange in association with Liz Lerman. This is a really useful toolkit.

Day 2 - voice & space, research & development, Phase 2, Neonatal Project, with Susan Worsfold

Day 2 with Susan Worsfold exploring voice and space
















The aim of the day was to explore the voice, cut-ups in relation to the physical space.

What we did ......

• Voice warm ups and exercises & tone work.
• One line of parents' text at a time, full volume.
• One line on our own, one line together.
• Exploring archetypes: 3 zones (parents on a chair at the side, consultants on stool elevated, baby on floor facing projected slideshow of images from unit). Rules: to deliver one line at a time and then to move to different zone. The baby zone was to be non-verbal and continuous tone or choose not to make a sound at all; parents could choose any line from parents' cut up; consultants could choose any of artists' questions. You could choose where the or to whom the text could be directed to.

• Repeated above but introduced nurses cut up, consultant's cut up and artists questions. The artists zone was in centre and the parents' zone at the side, and the other zones were as above. The rule for the nurses was to be continually moving while reading the texts. Then changed the zones, so artist were at side and parents zone was in the middle.
• Repeated exercise and the changed what role was performed in each zone. Eg. nurses on floor, consultants were at the side, parents were in the middle, artists kept moving and baby high up on stool.

• Sentences from parents' cut up were placed around a chair, eg on base, on back rest, on legs. Kirsty sat on chair and delivered texts, moving around chair.

 

• Same set up as above and Steven sat adjacent and asked artists' questions to Kirsty. Kirsty replied but using one sentence of parent's cut-ups, moving around the chair.

 

• Steven delivered one line, "Waiting for cuddle was worth it, really worth it, but sometimes i just felt, will she know." Punctuation was a cue to take a breath, change physical orientation and deliver the words. Started will full energy and brought the volume down to emotive depth over time.

Observations / Reflections

What did we learn?

• possible exercises for parents and staff: observations of environment / photos. List of words, or conversations to which images are a backdrop. Eg, one each could generate 3 different responses from parent, nurse, consultant.
• give camera to them and ask them to each photograph an aspect of the unit, eg reflections, a space they are comfortable with, spend longest time. This may help represent their role.
• Axel Venvoordt - curator creates a whole to present art and antiques in a domestic type space, the way you can relate to art could be from a well designed couch, how your body's position relates or effects your experience of an art work or a creative space.
• dialogue important, nurses & nurses, nurses & parents.
• tight structure important
• physical orientation of body helps relational dynamic.